As a side
business she started to make animal portraits in
1984. She worked not only with people loving their
pets, but also with local veterinarian clinics. She
developed a special technique of combining airbrush
and colour pencil and accomplished not only an
individual likeness, but astounding drawings of
animals.
After 7
years in the US, Nicolin moved to Germany and
France, taking up new themes like fish and
underwater scenes, and reaffirming a style that
varies from expressive, realistic, to naïve.
The art
of Charlotte Nicolin needs no introduction today.
Her reputation and her images speak for themselves.
She collects impressions everywhere, and these are
transformed into her vibrant and sensational
paintings filled with humour and beauty. Her
creations often relate to her personal life. Each
painting tells a little story or has an emotion,
which each of us can relate to and recognize.
Characters in her paintings often represent people
she knows but even a fleeting encounter sometimes
gets a part in one of her
settings.
To increase
her understanding of the submarine world she also
became a keen diver. Learning more about living
anatomy and furthering her knowledge of nature,
allowed her to create her playful interpretations
of the world around her along with striking
portraits of the physical universe.
In spite
of her increasing professional success, she keeps
her feet on the ground and remains very humble and
sensitive to the world around her. As an artist she
needs to regularly retreat to her own inner world,
as well as travel, explore and exchange emotions
and knowledge.
From 1991
to 1997 she worked for several years in a
lithography workshop in Paris (les impressions
d’art E & J Desjobert) and became a talented
and accomplished lithographer, working with a
number of prominent contemporary artists.
In 1998
she moved to Montreal, Canada where she co-founded
Nicolin & Gublin, a dedicated and permanent showcase for her spectacular art. Nicolin & Gublin is a studio and distribution centre for her originals, limited editions and many decorative items bearing her art work.
Nicolin & Gublin, a dedicated and permanent showcase for her spectacular art. Nicolin & Gublin is a studio and distribution centre for her originals, limited editions and many decorative items bearing her art work.
The
artist’s need to explore new media and techniques
brought her to sculpt in both stone and wood. In
Montreal she started to make unique pieces of
furniture as an extension of her paintings. She
made chairs and tables in the shape of fish, crabs
etc. This got an immense attention by numerous news
papers and TV channels, which even further spread
reputation of Nicolin’s art.
In 2007
the artist is setting up an additional studio in
Paris. She was drawn back to Paris for the unique
inspiration it brings her, and to better serve her
European clients.
Nicolin also works with several organisations promoting biodiversity, using her images to inform adults and children of the importance of keeping the planet healthy.
Nicolin also works with several organisations promoting biodiversity, using her images to inform adults and children of the importance of keeping the planet healthy.
Even though
she is a very passionate person, she is also
extremely demanding in her work, and no painting
leaves her studio before she has treated every
detail with careful precision.
Nicolin’s
work has found its way to numerous art collections
worldwide and many private and corporate collectors
keep a close watch for her latest work. Some pieces
now leave her studio, never having been exhibited
to the public.
The image
Icebergs was commissioned by Rescousse, a Canadian
organization devoted to protecting endangered
species and promoting biodiversity. The image
represents The Great Awk, a bird that was last seen
in 1844.
harlotte Nicolin was
born 1958, and raised in Sweden. After getting a
solid education in painting, drawing, art history,
design and decoration from her native Sweden,
Nicolin moved to
the US in 1982 where
she developed her unique style, with the creation
of a series of sensual oversized macro flower
paintings. As her art grew more and more popular,
it became highly visible in galleries throughout
the US.
